#i love the universe built and characters and and and

[euphoria-looney]

Uie wait so if ever when they start to go yandere for the reader, what happens to Serena? Or what is her deal basically? Is the entire thing from powers or their own volition or something? Are they being controlled by someone else? I'm kind of invested in the fic now OvO

Or, if ever, would reader go back for one of the love interest once they go yandere or are the love interests still the same? Will they turn yandere too or will they just be the same? Admittedly I just want them all to grovel and I really want reader to make them all suffer 👉👈

Thank you for your 'who said money can't buy happiness?' fic because it activated my neurons I live the manwha concept (no matter how much it boils my blood in the good ptsd manner everytime I read it) but also I really want another crumb of og!villainess/villain!reader because they really softened my heart, the entire thing reminds me of that one manwha with the fmc Penelope Eckart

Sorry for being long! I hope your day goes great and thank you for writing such lovely pieces of literature!! (⁠≧⁠▽⁠≦⁠)/

For the first question, "What happens when they all go yandere on [name], and what happens to Serena?" They still care for her and they still love her but it’s just not as strong as it used to be especially with [name] changed now being the main character of the story her story, Serena will be on a balanced scale whether she still wants to be the center of attention and whether she wants [names] attention only on her and find everyone else as competitors.

The second question, "What's her deal?" Her deal is that that’s just how she behaves and how she acts from the moment she kinda existed in this universe she has a main character role and she obviously doesn’t know that she’s inside a novel so she’s just acting how she normally is. She is the female lead so everything will go her way. She’ll be smart, capable, and a lovable character from the reader's point of view from the og! Novel.

Whenever you read her since it’s in [name]'s POV and I like to portray her character negatively as of now what’s happening in the universe of how she acts we think she’s annoying but when we were in the other world, Serena was the main character of the novel 'I Stole the Villainess Loving Family'. She was the badass MC that you would love to read about but cringe so much that you would have to drop the novel.

On the third question, no, Serena is not being controlled by anybody. She is following the plot which is actually all her own actions. This is how she behaves. This is how she acts from your perspective. If you were in her POV, you would have to understand that she has been the main character everybody around her has admired her, loved her, and worshiped her simply because she was placed in a position as the female lead, which made a ton of people attracted to her.

Fourth, there will be many love interests that go from Serena to [name] or just love interests that simply got created because they have spent and developed with [name].

[name] Unfortunately for now, if there are no changes to my plot, will not fall in love with any of them and avoid them if anything because of how they treated her and how they treated the og! Princess [name] it is because she believes why should love someone only when they start changing and it annoys [name] to a point where she cannot, and will not forgive anybody who suddenly develops attention or attraction towards her because they only change when they start interacting with the new [name].

It just wouldn't make sense why she'd forgive them when she knew what Princess!Reader went through how the people changed around her when they treated Princess!Reader like a joke.

There will be a lot of crumbs of OG!princess [name] because in her world, technically modern old world there’s a version of batfam of their own where they neglected her, which is why the OG!modern!reader is called neglected!reader because in their own world batfam neglected them, and they left. They built a successful business of their own and made friends, and unlike in the historical kind of novel setting we have a modern one where she has never met any of the Batfams enemies or allies so that just opens up a whole other world of love interest for her as well, so sometimes I'll write her, but not a lot as she’s not the main focus of my "Who Said Money Can’t Buy Happiness?" plot.

That is all please do tell me if there are any spelling mistakes or something you're confused about 😍

[gxldencity]

There are a lot of good points in this wonderfully written essay but I want to highlight these passages because they do speak to why Veilguard has more to it than meets the eye. I do hope as time moves on, more people are open to looking as to why some of the narrative decisions were chosen beyond whatever preconceived notion you have about corporate sanitization.

That is the more critical lens to view the way The Veilguard’s sanitation of Thedas. To an extent, I agree. We learned so much about how the enigmatic country of the Tevinter Imperium was a place built upon slavery and blood sacrifice, only for us to conveniently hang out in the common poverty-stricken areas that are affected by the corrupt politics we only hear about in sidequests and codex entries. But decisions like setting The Veilguard’s Tevinter stories in the slums of Dogtown gives the game and its writers a place to make a more definitive statement, rather than existing in the often frustrating centrism Dragon Age loved to tout for three games.

I have a lot of pain points I can shout out in the Dragon Age series, but I don’t think one has stuck in my craw the way the end of Anders rivalry relationship goes down in Dragon Age II. This is a tortured radical mage who is willing to give his life to fight for the freedom of those who have been born into a corrupt system led by the policing Templars. And yet, if you’ve followed his rivalry path, Anders will turn against the mages he, not five minutes ago, did some light terrorism trying to free. In Inquisition, this conflict of ideals and traditions comes to a head, but you’re able to essentially wipe it all under the rug as you absorb one faction or the other into your forces. So often Dragon Age treats its conflicts and worldviews as toys for the player to slam against one another, shaping the world as they see fit, and bending even the most fiercely devoted radical to your whims. And yes, there are some notable exceptions to this rule, but when it came to world-shifting moments of change, Dragon Age always seemed scared to assert that the player might be wrong. Mages and Templars, oppressed and oppressors, were the same in the eyes of the game, each worthy of the same level of scrutiny.

Before The Veilguard, I often felt Dragon Age didn’t actually believe in anything. Its characters did, but as a text, Dragon Age often felt so preoccupied with empowering the player’s decisions that it felt like Thedas would never actually get better, no matter how much you fought for it. While it may lack the same prickly dynamics and the grey morality that became synonymous with the series, The Veilguard’s doesn’t just believe that the world is full of greys and let you pick which shade you’re more comfortable with. It’s the most wholeheartedly the Dragon Age universe has declared that the world of Thedas can be better than it was before.

Dragon Age: The Veilguard Just Went From A Good RPG To One Of BioWare’s Most Important Games

In light of BioWare scattering some of its most foundational veteran talent to the winds, Dragon Age: The Veilguard sure reads like something made by people who saw the writing on the wall. The RPG leaves off on a small cliffhanger that could launch players into a fifth game, but I’m skeptical that we’ll ever get it. The quickness with which publisher Electronic Arts gutted BioWare and masked it with talk of being more “agile” and “focused” shortly after it was revealed The Veilguard underperformed in the eyes of the power that be makes me wonder if BioWare was also unsure it would get to return to Thedas a fifth time. Looking back, I’m pretty convinced the team was working as if Rook’s adventure through the northern regions of this beloved fantasy world might be the last time anyone, BioWare or fan, stepped foot in it. But that may have only made me appreciate the game even more.

Yeah, I might be doomsaying, but there’s a lot of reasons to do so right now. The loss of talented people like lead writer Trick Weekes, who has been a staple in modern BioWare since the beginning of Mass Effect, or Mary Kirby who wrote characters like Varric, the biggest throughline through the Dragon Age series, doesn’t inspire confidence that EA understands the lifeblood of the studio it acquired in 2007. The Veilguard has been a divisive game for entirely legitimate reasons and the most bad-faith ones you can imagine on the internet in 2025, but my hope is that history will be kinder to it as time goes on. 

A Kotaku reader reach out to me after all the news broke to ask if they should still play The Veilguard after everything that happened. My answer was that now we are probably in a better position to appreciate it for what it was: a (potentially) final word.

The Veilguard feels just as much a send-off for a long-running story as it does a stepping stone for what (might) come. Its secret ending implies a new threat is lurking somewhere off in the distance but by and large, The Veilguard is about the end of an era. BioWare created an entire questline essentially writing Thedas’ history in stone, removing any ambiguity that gave life to over a decade of theory-crafting. As a long-time player, I’m glad The Veilguard solidifies the connective tissue between what sometimes felt like world of isolated cultures that lacked throughlines that made the world feel whole. But sitting your cast of weirdos down for a series of group therapy sessions unpacking the ramifications of some of the biggest lore dumps the studio has ever put to a Bluray disc isn’t the kind of narrative choice you make if you’re confident there’s still a future for the franchise. 

Unanswered questions are the foundation of sequels, and The Veilguard has an almost anxious need to stamp those out. Perhaps BioWare learned a hard lesson by leaving Dragon Age: Inquisition on a cliffhanger and didn’t want to repeat the same restriction. But The Veilguard doesn’t just wrap up its own story, it concludes several major threads dating back to Origins and feels calculated and deliberate. If BioWare’s goal with The Veilguard was to bring almost everything to a definitive end, the thematic note it leaves this world on acts as a closing graf summing up a thesis the series hopes to convey.

Pushing away the bigotry that has followed The Veilguard like a starving rat digging through trash, one of the most common criticisms I heard directed against the game was that it lacked a certain thorny disposition that was prevalent in the first three games. Everyone in the titular party generally seems to like each other, there aren’t real ethical and philosophical conflicts between the group, and the spats that do arise are more akin to the arguments you probably get into with your best friends. It’s a new dynamic for the series. The Veilguard doesn’t feel like coworkers as The Inquisition did or the disparate group who barely tolerated each other we followed in Dragon Age II. They are a friend group who, despite coming from different backgrounds, factions, and places, are pretty much on the same page about what the world should be. They’re united by a common goal, sure, but at the core of each of their lived experiences is a desire for the world to be better.

This rose-colored view of leftism doesn’t work for everyone. At its worst, The Veilguard can be saccharine to the point of giving you a cavity, which is far from what people have come to expect from a series in which Fenris and Anders didn’t care if the other lived or died. It also bleeds into a perceived softening of the universe. Factions like the Antivan Crows have essentially become the Bat Family with no mention of the whole child slavery thing that was our first introduction to them back in Origins. The Lords of Fortune, a new pirate faction, goes to great lengths to make sure you know that they’re not like the other pirates who steal from other cultures, among other things. I joked to a friend once that The Veilguard is a game terrified of getting canceled, and as such a lot of the grit and grime has been washed off for something shiny and polished. 

That is the more critical lens to view the way The Veilguard’s sanitation of Thedas. To an extent, I agree. We learned so much about how the enigmatic country of the Tevinter Imperium was a place built upon slavery and blood sacrifice, only for us to conveniently hang out in the common poverty-stricken areas that are affected by the corrupt politics we only hear about in sidequests and codex entries. But decisions like setting The Veilguard’s Tevinter stories in the slums of Dogtown gives the game and its writers a place to make a more definitive statement, rather than existing in the often frustrating centrism Dragon Age loved to tout for three games.

I have a lot of pain points I can shout out in the Dragon Age series, but I don’t think one has stuck in my craw the way the end of Anders rivalry relationship goes down in Dragon Age II. This is a tortured radical mage who is willing to give his life to fight for the freedom of those who have been born into a corrupt system led by the policing Templars. And yet, if you’ve followed his rivalry path, Anders will turn against the mages he, not five minutes ago, did some light terrorism trying to free. In Inquisition, this conflict of ideals and traditions comes to a head, but you’re able to essentially wipe it all under the rug as you absorb one faction or the other into your forces. So often Dragon Age treats its conflicts and worldviews as toys for the player to slam against one another, shaping the world as they see fit, and bending even the most fiercely devoted radical to your whims. And yes, there are some notable exceptions to this rule, but when it came to world-shifting moments of change, Dragon Age always seemed scared to assert that the player might be wrong. Mages and Templars, oppressed and oppressors, were the same in the eyes of the game, each worthy of the same level of scrutiny.

Before The Veilguard, I often felt Dragon Age didn’t actually believe in anything. Its characters did, but as a text, Dragon Age often felt so preoccupied with empowering the player’s decisions that it felt like Thedas would never actually get better, no matter how much you fought for it. While it may lack the same prickly dynamics and the grey morality that became synonymous with the series, The Veilguard’s doesn’t just believe that the world is full of greys and let you pick which shade you’re more comfortable with. It’s the most wholeheartedly the Dragon Age universe has declared that the world of Thedas can be better than it was before.

Essentially retconning the Antivan Crows to a family of superheroes is taking a hammer to the problem, whereas characters like Neve Gallus, a mage private eye with a duty-bound love for her city and its people, are the scalpel with which BioWare shifts its vision of how the world of Thedas can change. Taash explores their identity through the lens of Dragon Age’s longstanding Qunari culture, known for its rigidness in the face of an ever-changing world, and comes out the other end a new person, defined entirely by their own views and defying others. Harding finds out the truth behind how the dwarves were severed from magic and still remembers that she believes in the good in people. The heroes of The Veilguard have seen the corruption win out, and yet never stop believing that something greater is possible. It's not even an option in The Veilguard's eyes. The downtrodden will be protected, the oppressed will live proudly, and those who have been wronged will find new life.

That belief is what makes The Veilguard a frustrating RPG, to some. It’s so unyielding in its belief that Thedas and everyone who inhabits it can be better that it doesn’t really entertain you complicating the narrative. Rook can come from plenty of different backgrounds, make decisions that will affect thousands of people, but they can never really be an evil bastard. If they did, it would fundamentally undermine one of the game’s most pivotal moments. In the eleventh hour, Dragon Age mainstay Varric Tethras is revealed to have died in the opening hour, and essentially leaves all his hopes and dreams on the shoulders of Rook. After our hero is banished to the Fade and forced to confront their regrets in a mission gone south, Varric’s spirit sends Rook on their way to save the day one last time. He does so with a hearty chuckle, saying he doesn’t need to wish you good luck because “you already have everything you need.” He is, of course, referring to the friends you have calling to you from beyond the Fade. 

Varric, who has narrated the story of Dragon Age’s final word is a declaration of belief that things will be okay. This isn’t because Rook is the chosen one destined to save the world, but because they have found people who are unified by one thing: a need to fight for a better world. But that’s what makes it compelling as a possibly final Dragon Age game. Reaching the end of a universe’s arc and being wholly uninterested in leaving it desecrated by hubris or prejudice is a bold claim on BioWare’s part. It takes some authorship away from the player, but in return, it leaves the world of Thedas in a better place than we found it.

The Veilguard is an idealistic game, but it’s one that BioWare has earned the right to make. Dragon Age’s legacy has been one of constantly shifting identity, at least two counts of development hell, and a desire to gives players a sandbox to roleplay in. Perhaps, as Dragon Age likely comes to a close, it’s better to leave Dragon Age with a game as optimistic as the people who made it. I can’t think of a more appropriate finale than one that feels like it represents the world its creators hope to see, even as the world we live in now gives us every reason to fall to despair.

In my review for The Veilguard I signed off expressing hope for BioWare’s future that feels a bit naive in retrospect. Would a divisive but undeniably polished RPG that felt true to the studio’s history be enough when, after 10 years of development, rich suits were probably looking for a decisive cultural moment? That optimism was just about a video game. Having lived through the past 32 years, most of the optimism I’ve ever held feels naive to look back on. I think I’m losing hope that the world will get any better. But even if we haven’t reached The Veilguard’s idealized vision, I’ll take some comfort in knowing someone previously at BioWare still believes it’s possible. - ken shepard, shepardcdr.bsky.social

[alasy]

this book literally made me *blush*. i. blushed. my cheeks flushed. i looked at the mirror and my face was red. because of a romantic confession. i...... i'm beyond gone.

[puppppppppy]

i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you

[milquetoad]

of the many injustices put forth toward the show by fans i think the most overall damaging and telling of a complete lack of critical viewership is the idea that sam riegel builds his characters with nothing more than the bit in mind. like you are only telling on yourself if you think characters like scanlan shorthalt and veth brennato are one-dimensional and depthless

[heister-shmeister]

holy shit hello saateco. firstly i want to say a huge thank you for reblogging this and having such a long response i love reading long responses and having talks like this. secondly i fucking love your artwork and when i saw it was you my jaw dropped. your art brings me so much joy

i wanna respond to a couple things in your reblog. i didnt intend to be as potentially ignorant sounding or insensitive in my original post as i was. its a pretty old post now i think and seeing my notifications blow up about it made me reread it and jesus christ i dont know if i agree much with it anymore. i guess i can thank you for the boost as well. i wanna say that i was not trying to say anything in the post as fact and the post was inspired by how i see the payday community talk about sokol as well as some of my opinions on him

im gonna admit the primary character trait being communism mark is entirely incorrect and i rescind it. communism does have smth to do with him though in some way, seeing as his mask is based off of the soviet navy flag. in fact it fascinates me how he references putin in his voice lines but also chose the soviet navy flag as the reference for his mask- but it probably doesnt go beyond “russian stereotype” and that makes me sad

another thing is my shock with his technological prowess comes from a character writing standpoint. this is all purely my opinion and how my weird brain processes character writing, but it simply eluded me why sokol built the bfd and has that engineering knowledge when many other characters were equally capable of creating the bfd, considering houston and wolfs engineering prowess is far more emphasized in the games. it just confuses me why sokol made the bfd and not the others and how nobody in the fandom brings it up

as for the comment on jacket. when it comes to the payday community a lot of people notice that logically jacket would not like sokol, even if he is completely neutral in the text of the game. in the game jacket is from, hotline miami, his best friend was killed in a nuclear bombing done by russia. in the hotline miami universe the cold war evolved into a full on war in which jacket fought against mainly russians. the core plot of the game revolves around jacket slaughtering the russian mafia in miami. that is why i mentioned it in the list, because people talk about their potential rivalry a lot. explaining this is not to imply that you didnt know i was just explaining things for example. i agree in not thinking payday 2 jacket actually hates sokol. i actually think theyre a little gay.

also this is not to say jacket is justified in his xenophobia in the hotline miami games just throwing that out there for anyone not directed at saateco just saying this in general. i think wanting to get revenge against the people that killed your best friend is reasonable BUT it is literally one of the points of hotline miami that the patriotism and hatred for russians was stupid.

idk how to close this out

thank you so much for the reblog im genuinely grateful

sokol is a fucking hilarious character

the purpose he serves as a character in payday 2’s story is so fucking funny his skillset is so god damn funny. but like. not even unrealistic

he has so many gimmicks

hes relevant for three seconds in the grand scheme of the payday story

hes.. russian. he is a professional hockey player. he- he can. build. shed-sized laser cutting drills

why can he do that who let him do that

he never mentions his engineering prowess in any of his voice lines (iirc)

he just. can do that

it gives someone with adhd taking their adderall for the first time and it kicking in right as theyre browsing the wikipedia article for nuclear fission and next thing they know theyre wanted by the fbi

its not like its unrealistic for people to have more than one interest but its just so funny how unrelated and irrelevant sokols engineering knowledge seems when put next to everything else about him. especially since theres already other characters who fill the role of awesome engineer dude already

houston isnt THE engineer but hes the mechanic and wolf literally has his own workshop

sokol made. the fucking bfd.

and his primary character trait isnt even that

its communism

his engineering smarts are like the last thing anyone remembers about his personality and it is the reason in lore why he is in the payday gang

sokols attributes in the order most often noticed by people who get into this game

russian

hockey

russian which means jacket wouldnt like him

burgers

prison nightmare voice lines

HE MADE THE FUCKING BFD..

THE BFD!!

[possiblyfunny]

Hello again, fellas. (And to whoever is actually interested in looking at my weird little AU-) Sanctuary has been on my mind lately and uhhh, I’d like to introduce you to some new characters!

Meet the Eventide Duo: REI and KAI!

I, like with Aster and Del, have never drawn them before, and because I honestly didn’t have it in me to do two full-body drawings with color and everything, doodling them was the next best thing. I’ve been thinking about these two a lot and just really wanted to get them down as a start. Soooo—this is their first pass and things are subject to change! (Please excuse the messiness-)

Rei (the Red) and Kai (the Blue) come from—okay this is kinda funny now that I’m writing it out—their AU was inspired by an FNF fan song that I heard awhile back. It was something like “Frostbite but Blue.” The person who made the song (I don’t remember their name off the top of my head) said they were going to post the lore, but as far as I know they never did, so my brain kinda took the concept and ran with it—making it into my own story. (Sorry to whoever that was-)

Rei is the fledgling god of the Sun and the Second Coming of Arceus. He ascended to godhood after his untimely death, returning to earth to protect the one he loves. Rei may look like a massive grump, but in reality, he's a ray of sunshine and one of the most warm-hearted and protective people you'll ever meet. Kai is still a Pokémon Trainer, but he’s also Rei's singular devotee. He's honestly pretty quiet for a Blue, if not a bit high-strung, but he's loyal and sweet, even if he has a bit of a hard time showing it.

The both of them worked together to survive the violent floods and rainfall that devastated their original home, and now live a quiet life together in Sanctuary, going on little adventures here and there to try and reclaim the life they lost bit by bit.

(Okay, time to tag my one fan. @100nebulas , I think you said you wanted more Sanctuary content in general that one time, so I guess you’re gonna be eternally tagged in these lmao. Hope you enjoy :])

[saym0-0]

cant stop thinking about rabbit sneaking away and immersing herself in drag culture before she could transition,,, been thinking abt it all day this headcanon means so much 2 me

[evilkaeya]

"hsr is a turn based game" and the turn is based on ME

[roguestorm]

Reasons there’s no romance in Midnight Suns

Age things are weird — Who is the MC the right age to romance? Teenagers like Robbie and Nico, or adults like Blade and Steve? Surely the MC can’t be the right age to romance every character, as they feel like they’re in very different age brackets.

Gender things are weird — Apart from the MC’s gay moms, the only gay character in the game is Nico. So there would be no male gay options for romance unless they wanted to like make Captain America or Doctor Strange romanceable as a guy, and obviously they’re not gonna do that. But then having a game with no gay romance options is a bad look.

What do they do with characters with canonical love interests? Like are they really gonna allow the MC to pair up with Spider-Man when everyone knows he belongs with Mary Jane?

It’s just not the vibe. I mean, can you imagine the devs having to sit down and write like a romantic candlelight dinner date for Steve Rogers x MC for this card-based RPG? It’s just not the vibe!

Reasons there should be romance in Midnight Suns

Can you imagine the devs having to sit down and write like a romantic candlelight dinner date for Steve Rogers x MC for this card-based RPG? And like, can you imagine if they had to do that for both female and male MCs? They must capitulate to the bisexual Captain America agenda now!

[wormy-worm]

ok u know what maybe if the world isn't ready for sunrazer post that means that the world IS ready for Amoveous siblings post. This is Milo and Enho and theyre my DARLINGS and i love them SO MUCH. i have. SOOOOOOOO many thoughts abt them but after the previous post massacre i do not really feel like typing all of that xoxo love <3

[no1ryomafan]

Once again debating about the side mega man blog but regardless if I do make it or not, when I have the time I might make a whole long in depth post talking about the male ZX protags cause man while I have no idea how the tumblr fandom is I’m remembering some dumb takes with them so I think they deserve a proper breakdown to show “no they have character you fucking dumbasses”

[this-user-has-been-erased]

I feel like I'm the only person who doesn't like Ganondorf's design in TotK, especially his "Demon King" form. In my opinion he's not supposed to be 'sexy', he's supposed to be menacing. At least in TP his cool design kind of made up for his lack of character, as well as the fact that he's the same Ganondorf from OoT. In TotK he has no character and no actual motivation that isn't the most generic anime villain bs. Also, what was the deal with Calamity Ganon??? Where did the Sheikah tech actually go? Why did they get rid of the Sheikah Slate and the Shrine of Resurrection?

And, WHY are we relying so much on Zonai technology, after the Calamity destroyed the kingdom USING ANCIENT TECHNOLOGY??

[starbberryblue]

collection of my absolute favorite tags from this incredible post:

Candace and doofenshmirtz would be tumblr mutuals i think

[careol]

part of me feels bad for trying to write emily out of these scenarios with hotch but also i'm like, in the uni where carol is a canon member of this team, it would be her offering to drive him and pick him up, staying with him, honestly just anything.

[arolesbianism]

hello gamers minor life update I have been doing Real bad lately so I will likely continue to be very inactive, but hey on the bright side I have been fleshing out some eternal gales lore I reworked a while back and I can happily say that Dodie no longer completely contradicts the very nature of reality in eternal gales and the fog tower™ officially has a real reason to exist again so hell yeah to that